## Merrimack River by Mandy Moore
from Amanda Leigh
Bet you didn't know that a) I'm a closet Mandy Moore fan, and b) she released an album this year. A world away from the teen pop princess she once aspired to be (but could never quite be, ala Britney and Christina), Moore has, after a bumpy few transition albums, matured nicely into a singer-songwriter of some very pretty folk influenced adult contemporary music. I really like this opening track, stripped back, gentle and waltz-like.
Watch: live @ Walmart Soundcheck
## Help I’m Alive by Metric
from Fantasies
Emily Haines' pretty voice floating over fuzzy guitars and a relentless drum beat "like a hammer". I'm in.
Watch:
Download:
Help I'm Alive (acoustic)
## Satellite Skin by Modest Mouse
from No One’s First and You’re Next EP
This one is rollicking and full of attitude, Isaac Brock's growly voice, jangly guitars and an unexpected lightness. I must admit that apart from this song the EP didn't really grab me, but MM haven't lost the ability to rock out from time to time.
Watch:
## I Belong To You/Mon Coeur S'ouvre A Toi by Muse
from The Resistance
I just did not get this album at first. Muse have always been OTT and grandoise in their music and ideas, and I love them for it, but The Resistance was just too much on first listen. But then Al linked me to this review at Strange Horizons by Adam Roberts and I was so taken by how he lovingly describes and embraces it all that I gave it another go, this time with the SF framework as a guide. And it made all the difference. The album is still a little cold and synth-heavy for general listening, but when I'm in the mood for some storytelling it's evocative and interesting.
This song is immense and lush and darkly romantic, with its thumping beat and crashing piano chords and Matt Bellamy's voice poured over like syrup; and THEN they add a power-ballad bridge in French and throw in a jazzy woodwind interlude for good measure.
Listen: the karaoke version, complete with lyrics and random art. :)
Songs of 2009 part 3
Songs of 2009 part 2
Songs of 2009 part 1
Showing posts with label modest mouse. Show all posts
Showing posts with label modest mouse. Show all posts
Thursday, December 24, 2009
Thursday, January 4, 2007
Modest Mouse - 3 Jan 2007 - Enmore Theatre
I didn’t really have any expectations going in, because I am woefully acquainted with the entirety of the Modest Mouse oeuvre (though what I know I like) so I was ready to go and experience for experience's sake. It was good to see some really good live ROCK (when I'm listening to Modest Mouse my dad will often pop in and ask what all the noise is) with the jangly guitars, the growling bass, the massive percussion section.
We arrived about halfway through the Dappled Cities set, and what I heard was catchy and good. Two things in particular struck me – they can caterwaul in harmony! and the lead singer/guitarist has a really nice voice. I will be looking for more of their stuff to listen to.
Modest Mouse started with 'Ocean Breathes Salty', which was one of about five songs I wanted to hear tonight. They followed up with a stompingly good 'Black Cadillac', then a song that was only about a minute and a half long, then Isaac Brock stopped and said something along the lines of “Normally we just play this through again because that’s all there is. It’s a good song so here we go.” And then they really did just play it all the way through again.
Before the concert we'd wondered when in the set 'Float On' (their far and away best known song) would go and we guessed either first or last or in the encore to draw out is popularity. However four songs in there it was, and it was good but not great – I still love the song, but hearing it live did nothing for me. However, a few more songs in they played an absolutely blistering rendition of 'Tiny Cities Made of Ashes' that just raised the energy levels. This started a great section of songs – 'Tiny Cities', 'Bukowski', 'The World At Large', 'The View' - where the crowd really got into it; the moshers started a crazy whirling pit in the centre, and others were less timid in moving along to the rhythm and beat. And I got to geek out over the use of unexpected instrumentation, especially during Bukowski with the bit when it’s the banjo, electric double bass and accordion only – so cool.
Isaac Brock tried a bit of banter, though for him it consisted of awkwardly funny sarcasm. He was most animated when he was talking about cuddling koalas in Brisbane, which is adorable. And I’ve discovered that I really like it when frontmen are narky at certain parts of the crowd – it might be a bit mean, but it’s still amusing when they’re paying out some idiot in the crowd (I guess as long as it’s not me I’m ok with that). The crowd was a bit insane last night though, with the crazy hyper girls on the barrier, and the half-naked guy who kept trying to crowd surf and actually dove onto the stage at one point, only to be chased back onto the floor by a big security guard who dragged him away forcibly while the guy’s girlfriend hung off the security guard as an useless impediment.
Last song of the set was 'Breakthrough' (also good). There was a two song encore ending with 'Dramamine', which I did want to hear, but they noodled through it for a bit too long. The energy level of the crowd was flagging and it seemed that most were not in the mood for that kind of extended jam, which meant the concert ended on a strangely impatient note.
We arrived about halfway through the Dappled Cities set, and what I heard was catchy and good. Two things in particular struck me – they can caterwaul in harmony! and the lead singer/guitarist has a really nice voice. I will be looking for more of their stuff to listen to.
Modest Mouse started with 'Ocean Breathes Salty', which was one of about five songs I wanted to hear tonight. They followed up with a stompingly good 'Black Cadillac', then a song that was only about a minute and a half long, then Isaac Brock stopped and said something along the lines of “Normally we just play this through again because that’s all there is. It’s a good song so here we go.” And then they really did just play it all the way through again.
Before the concert we'd wondered when in the set 'Float On' (their far and away best known song) would go and we guessed either first or last or in the encore to draw out is popularity. However four songs in there it was, and it was good but not great – I still love the song, but hearing it live did nothing for me. However, a few more songs in they played an absolutely blistering rendition of 'Tiny Cities Made of Ashes' that just raised the energy levels. This started a great section of songs – 'Tiny Cities', 'Bukowski', 'The World At Large', 'The View' - where the crowd really got into it; the moshers started a crazy whirling pit in the centre, and others were less timid in moving along to the rhythm and beat. And I got to geek out over the use of unexpected instrumentation, especially during Bukowski with the bit when it’s the banjo, electric double bass and accordion only – so cool.
Isaac Brock tried a bit of banter, though for him it consisted of awkwardly funny sarcasm. He was most animated when he was talking about cuddling koalas in Brisbane, which is adorable. And I’ve discovered that I really like it when frontmen are narky at certain parts of the crowd – it might be a bit mean, but it’s still amusing when they’re paying out some idiot in the crowd (I guess as long as it’s not me I’m ok with that). The crowd was a bit insane last night though, with the crazy hyper girls on the barrier, and the half-naked guy who kept trying to crowd surf and actually dove onto the stage at one point, only to be chased back onto the floor by a big security guard who dragged him away forcibly while the guy’s girlfriend hung off the security guard as an useless impediment.
Last song of the set was 'Breakthrough' (also good). There was a two song encore ending with 'Dramamine', which I did want to hear, but they noodled through it for a bit too long. The energy level of the crowd was flagging and it seemed that most were not in the mood for that kind of extended jam, which meant the concert ended on a strangely impatient note.
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