Band of Horses - 29 July 2010 - Enmore Theatre

This was a rather nostalgic show, for one main reason that had nothing really to do with Band of Horses at all: as I stood on the floor of the Enmore with my best friend, we realised it was almost exactly twelve years to the day we saw our first live concert together, at the Enmore. Ah, plus ça change, and all that.

It was also the third time I'd seen Band of Horses in three years, and while it could not reach the same transcedenscent heights as that glorious time two years ago at the Metro, I certainly still enjoyed last night a great deal, and came out with a big grin, the songs ringing in my ears. They really are wonderful musicians, individually and as a band, and they have a really lovely laid-back presence on stage that works well with their music and their audience. During Detlef Schrempf - which sounded utterly beautiful - someone put up their lighter to Ben Bridwell's glee, and soon, with his encouragement from the stage, everyone raised their lighters in their air. For the rest of the song there was a sea of flickering yellow glows in the dark, and it was just perfect (and perfectly old school; it's just so much prettier than a sea of mobile phone glows) in that moment.

I liked the visual component too: they beamed spliced together footage of live shows and backstage antics as a frenetic backdrop to the more upbeat songs, which were fun; while the slower songs, particularly the more country-sounding tunes from latest album Infinite Arms, were matched with quite peaceful, lovely views of empty American landscapes - snow-capped mountains, endless skies, star filled nights.

At times I thought the mix was a little uneven, I couldn't hear Ben Bridwell over the music sometimes, which made me sad because, man, that voice is golden. But it might not be the sound guy's fault, because we were also stuck next to an intensely irritating couple who talked loudly through 80% of the songs. Also, he was saying stuff like, "Play something I know, I paid good money for this!" and "We should've gone to the Strokes instead." I'm pretty sure everyone around us wished they'd gone to there instead too, then we wouldn't have to listen to them whining incessantly, and tempting us to punch his face in. :p

But apart from that annoying blip, the rest of the show was a delight. Highlight of the night for me was the back-to-back pairing of Ode to LRC, stomping good fun as always, and The Funeral, magnificient. I was a little sad that they didn't play Our Swords and they didn't play Monsters, but I couldn't really fault them when they closed with Am I A Good Man, which was so unexpected but so so appreciated. I'm glad they're still covering that, and I loved hearing the interplay of Ryan Monroe and Ben Bridwell's voices on that song live again. :D

I was keeping note of what they played, except after the seventh song I accidentally deleted it from my phone, d'oh. The set list below is from the review by jayhorn5 that I stumbled across.

The Great Salt Lake
Is There A Ghost
Weed Party
NW Apt.
Islands on the Coast
Blue Beard
Compliments
The General Specific
Older
Marry Song
Detlef Schrempf
Factory
Cigarettes, Wedding Bells
(new song)
Laredo
Wicked Gil
Ode to the LRC
The Funeral

No One's Gonna Love You
Am I A Good Man (Them Two cover)


No One's Gonna Love You (video from phlegmphatale", who braved sore arms once again)

Band of Horses - 7 Aug 2009 - House of Blues, Chicago

Lesson of the day: never ever again rely on Google Maps alone to find an unfamiliar venue. DDDDDDDDDDDDDD:

I was quite grumpy by the time we ended up at the HOB, an hour after we first set out, despite the fact it's only really two blocks from our hotel. Add to the fact the venue layout sucked, the floor was already packed full of obnoxious and tall people, and Cass McCombs played a boring support set and I was not a happy chappy at all by the time Band of Horses took the stage.

They really are very accomplished musicians, and they played a great mix of songs from both albums, as well as a few new songs from their upcoming album (which I know is called Night Rainbow because Ben Bridwell plugged it at every possible opportunity!). They were decidedly more country-sounding than usual, including a Gram Parsons cover amongst the midst, and looking less beard-y but more dressed in flannel than before. I enjoyed it, but I felt like I'd seen a better show the year before at home; I couldn't tell if that was actually the case though, or just my residual resentment at the everything else seeping through. I finally got to hear Monsters live though, even if I did get mocked by the (IRRITATING AND DRUNK) girl next to me when she caught me singing along.

The Great Salt Lake
Is There A Ghost?
Lamb on the Lam
Weed Party
Marry song
(new song)
Cigarettes, Wedding Bands
Window Blues
A Song for You (Gram Parsons cover)
(new song)
Funeral
Wicked Gil
(new song)
No One’s Gonna Love You
General Specific

Our Swords
The First Song
Monsters

Band of Horses - 5 Aug 2008 - The Metro

I'm kind of stuck on "IT WAS AWESOME THEY WERE AMAZING I WANT TO MARRY BEN BRIDWELL'S VOICE". It's tempered on the CD and sounds pure and sweet, but live it just rings and soars. Even when it shouldn't sound so warm, when phrases end in yelps, it sounds like a bell, high and clear. Normally, I get very restless during slow songs, and the middle of the set was packed with softer moments, but I just closed my eyes and let the music wash over me in bliss. The musicianship of the whole band was great, particularly in the guitar work which reminds me of the good parts of classic rock, and the blues. It just sounded so so good overall, note-perfect but with heart and atmosphere that makes a live show worth it.

Apart from the music itself, the band were fun and relaxed on stage, bantering amongst themselves (culminating, at one point, with a foul-mouthed rant from their keyboardist, Ryan Monroe, about New Zealanders and sheep) as well as joking with the audience. Upon being greeted with the typical Whooooooooo! of excitement as they took to the stage at the start, Ben Bridwell returned the call, and would do so throughout the night, a goodnaturedly mocking call and response. A happy fan exclaimed, after a rollicking first four songs, "You guys sound great!" which fell upon a unexpected hush over the room, such that it carried not only the stage but all through the theatre. The band laughed and acknowledged the fannish adoration, attributing it all to the sound guy. They just seemed very easygoing as performers, and cutely aware of the relationship between them and their audience; as they sounded out the very well-known and probably very eagerly awaited for first notes of their best known track, The Funeral, Ben Bridwell called out that this was their "fake last song", and at the end bid us their "fake goodbye", a nod and a wink at the encore to come.

Certain other things kept me amused during the night - the crazy, pogo-ing fan who managed to jump up and down excitedly during every song, regardless of the tempo or mood; the fact that BoH may well be one of the most hirsuit bands I have ever seen and their fans likewise (it was truly a Band of Beards, with muttonchops and moustaches aplenty on the 5/6ths I could see) - but what kept the smile on my face was the band's amazing talent and the wonderful songs. From familiar singles to older songs to fantastic covers to audience sing-a-long as Ben Bridwell pointed first to us and them himself in the refrain of "you...me..." in The General Specific that ended the night, the overwhelming feeling was one of joy, from the band and reflected back by the crowd.


Is There A Ghost
The Great Salt Lake
Islands on the Coast
Weed Party
? (featured a harmonica)
Thirteen Days (J.J. Cale cover)
Marry Song
Cigarettes, Wedding Bands
The First Song
No One Goes Out Anymore (Tyler Ramsey)
Detlef Schrempf
Older (Ryan Monroe)
No One's Gonna Love You
Ode to LRC
Wicked Gil
The Funeral

Our Swords
Am I A Good Man (Them Two cover)
General Specific