Here be my 10 favourite albums of the year:
1. My Beautiful Dark Twisted Fantasy by Kanye West
All those crazy, musically-diverse layers - beats, lyrics, themes, ego and doubts - through the album.
watch: the trailer (or "moving portrait" as Kanye called it) for the video for 'Power' (which is rumoured to be 40+ minutes long), my favourite song along with 'Monster' (but I love Monster more for Nicki Minaj's verse - she steals the song out from everyone)
2. The Suburbs by Arcade Fire
The album did not grab me on first listen, but it was definitely a grower - just like previous album Neon Bible - and by the end of the year I had completely fallen in love with the storytelling, the atmosphere. The music is lighter, but the claustrophobia of the Suburbs is clear still within, the dark heart under the beautiful, peaceful surface.
Listen: 'The Suburbs' / 'Month of May'
3. All Days are Night: Songs for Lulu by Rufus Wainwright.
I love that Rufus Wainwright's idea of“stripped back”still includes gorgeously lush piano-driven heartbreaking paens to grief and love.
Download: 'Who are you, New York?'
4. Everything Under the Sun by Jukebox the Ghost
So many fine, catchy pop songs, so much intelligent thought behind it. Great follow-up album.
Watch: the band being interviewed at the 'Bean' in Chicago, where they talk about Ben Folds Five comparisons and why they have such a weird band name.
5. Mines by Menomena
I love the musical layers in the songs, from the different qualities of the voices to the fuzzy bass to the beat to those great horns.
Download: 'TAOS'
6. Danger Days by My Chemical Romance
Anthemic and built to be played loud - it's not rocket science, but it is damn catchy and fun.
Watch: Art is the Weapon - a trailer of sorts for the first single, the intro for the thru-story and palette and concept for their whole album.
7. Life is Sweet! Pleased to Meet You by Lightspeed Champion
Great songs that are more complex than they seem at first, with lush orchestral arrangements, clever lyrics, and diverse musical styles.
8. Steel Train by Steel Train
Sweet, fun indie pop that I've had on repeat constantly this year.
Listen: 'Turnpike Ghost'
9. The Age of Adz by Sufjan Stevens
I'm still not sure I entirely like this album end-to-end though that might be my reflex reaction to at times deliberately harsh electronica mix through his trademark his beautiful, floaty music. But the album does have some absolutely terrific moments, such as I Walked and the 25 minute standout, Impossible Soul.
Download: 'I Walked'
10. The ArchAndroid by Janelle Monae
I love her voice, and the ambitious mishmash of genres and styles all through her music, while remaining catchy as hell.
Watch: the video for 'Tightrope' - great song, great storytelling, creepy video with some mesmerising footwork. What's not to like?
Honourable Mentions
Bad Books – Bad Books
Belle and Sebastian - Belle and Sebastian Write About Love
Annuals – Sweet Sister EP
Boy & Bear – With Emperor Antarctic EP
Looking forward to new releases in 2011 from:
Patrick Wolf (Lupercalia)
Panic! at the Disco (Vices and Virtues)
The Decemberists (The King is Dead is out now)
Bright Eyes (The People's Key)
Okkervil River (I am Very Far)
Manchester Orchestra (Simple Math)
Taking Back Sunday
also rumoured to release new albums are:
fun.
Radiohead
Blink-182
It's looking to be an exciting new year of music! And hopefully some of these guys tour, which brings me to...
live music from 2010!
I saw a total of 19 bands at 16 shows. This included seeing Kevin Devine 3 times and Brand New twice in the space of five days and I don't regret any of that at all (as you will see from the list of best shows below).
Nine Favourite Performances
1. Kevin Devine @ East Brunswick Club, 29 Mar
2. Brand New @ Enmore Theatre, 25 Mar
3. The Decemberists @ The Metro, 19 Jan
4. The Pixies @ Hordern Pavilion, 14 Mar
5. Delta Spirit @ Factory Theatre, 3 Oct
6. Band of Horses @ Enmore Theatre, 29 July
7. Spoon @ The Forum, 7 May
8. Sunny Day Real Estate @ UNSW Roundhouse, 23 Feb
9. Neko Case @ City Recital Hall, 12 Jan
Upcoming Shows:
Sufjan Stevens, Menomena, Andrew McMahon, Belle and Sebastian
Showing posts with label lightspeed champion. Show all posts
Showing posts with label lightspeed champion. Show all posts
Sunday, January 16, 2011
Monday, January 10, 2011
Dec 2010 live music compendium (Lemonheads, Jebediah, Lightspeed Champion)
I had three shows lined up for December and unfortunately all three were rather frustrating.
The Lemonheads - 1 Dec 2010 - The Metro
To be honest, this was really 'Evan Dando and friends who are not the original Lemonheads playing through It's a Shame About Ray and then another twenty songs'. All within an hour and a bit, mind - it was an automated assembly line of songs, one note-perfect, joyless rendition after another. The room, sweaty and fully packed for the sold-out show, perked up at the singles and created a nice atmosphere with nostalgic singalongs, but on stage there was nothing fun at all. Dando barely acknowledged the audience, saying about ten words the whole night - and eight of them were 'thank you'. There was a one song encore, a shambolic version of Outdoor Type with old friends and support band Smudge, but at least Dando seemed to be enjoying himself for the first time all night. The band were proficient in their playing, and he still has that great voice (rather unfairly, it seemed that all that hard living has agreed with him) but ultimately, it was not a rousing comeback or even a fun nostalgia trip.
Jebediah - 9 Dec 2010 - Annadale Hotel
And Jebediah was not the fun nostalgia trip I was looking for either. I had such a good time at their last show at the Annadale. This time though...yeah, they were still loud and energetic and still ridiculously young looking (Kev Mitchell has surely drunk from the fountain of life). But after the late start, an hour of listening to them play obscure songs from their back catalog and none of thie hits, weaksauce banter and one too many moments of tech problems, we decided to bail. Just one more song, Al and I said, wanting to give them the benefit of the doubt, but after four times we gave it up for lost. You can't go back to being sixteen again...again.
Lightspeed Champion - 3 Jan 2011 - Spectrum
This was a show steeped in chaos from the start. Cancelled and then rescheduled in the new year, after Devonte Hynes was stuck in New York due to snowstorms, it was a tiny crowd that gathered about a foot from the stage on the night, with the much more popular Born Ruffians show on at the same time just three doors down the road.
Hynes' was truly playing a solo show - just one man on stage, with an electric guitar, an acoustic guitar, a keyboard and...a laptop. And this is where things get kind of bizarre - he chose, for half the set, to sing along with his backing tracks playing on his laptop, forsaking live instrumentation for the pre-recorded version, even when he *had* said instrumentation at his disposal. This meant that at times, it felt like we were watching someone at karaoke - well-sung karaoke, sure, but still a little underwhelming as an audience at a show. The biggest shame was that when Hynes chose to go without the track and just accompany himself on guitar or keyboard, he was really good and the music was really really lovely. The highlights, for me, were an acoustic version of Deadhead Blues and of Flush Out, a new song (which he released for free download today!).
He was well-received, none the less; surrounded by enthusiastic fanboys and one very persistent photographer, he struck poses and sang his heart out and for the last song, a cover of Hello, he sang to the crowd in the thick of the crowd on the tiny floor, which finally broke the nervous atmosphere and gave the show and the room some life, just a little too late.
The Lemonheads - 1 Dec 2010 - The Metro
To be honest, this was really 'Evan Dando and friends who are not the original Lemonheads playing through It's a Shame About Ray and then another twenty songs'. All within an hour and a bit, mind - it was an automated assembly line of songs, one note-perfect, joyless rendition after another. The room, sweaty and fully packed for the sold-out show, perked up at the singles and created a nice atmosphere with nostalgic singalongs, but on stage there was nothing fun at all. Dando barely acknowledged the audience, saying about ten words the whole night - and eight of them were 'thank you'. There was a one song encore, a shambolic version of Outdoor Type with old friends and support band Smudge, but at least Dando seemed to be enjoying himself for the first time all night. The band were proficient in their playing, and he still has that great voice (rather unfairly, it seemed that all that hard living has agreed with him) but ultimately, it was not a rousing comeback or even a fun nostalgia trip.
Jebediah - 9 Dec 2010 - Annadale Hotel
And Jebediah was not the fun nostalgia trip I was looking for either. I had such a good time at their last show at the Annadale. This time though...yeah, they were still loud and energetic and still ridiculously young looking (Kev Mitchell has surely drunk from the fountain of life). But after the late start, an hour of listening to them play obscure songs from their back catalog and none of thie hits, weaksauce banter and one too many moments of tech problems, we decided to bail. Just one more song, Al and I said, wanting to give them the benefit of the doubt, but after four times we gave it up for lost. You can't go back to being sixteen again...again.
Lightspeed Champion - 3 Jan 2011 - Spectrum
This was a show steeped in chaos from the start. Cancelled and then rescheduled in the new year, after Devonte Hynes was stuck in New York due to snowstorms, it was a tiny crowd that gathered about a foot from the stage on the night, with the much more popular Born Ruffians show on at the same time just three doors down the road.
Hynes' was truly playing a solo show - just one man on stage, with an electric guitar, an acoustic guitar, a keyboard and...a laptop. And this is where things get kind of bizarre - he chose, for half the set, to sing along with his backing tracks playing on his laptop, forsaking live instrumentation for the pre-recorded version, even when he *had* said instrumentation at his disposal. This meant that at times, it felt like we were watching someone at karaoke - well-sung karaoke, sure, but still a little underwhelming as an audience at a show. The biggest shame was that when Hynes chose to go without the track and just accompany himself on guitar or keyboard, he was really good and the music was really really lovely. The highlights, for me, were an acoustic version of Deadhead Blues and of Flush Out, a new song (which he released for free download today!).
He was well-received, none the less; surrounded by enthusiastic fanboys and one very persistent photographer, he struck poses and sang his heart out and for the last song, a cover of Hello, he sang to the crowd in the thick of the crowd on the tiny floor, which finally broke the nervous atmosphere and gave the show and the room some life, just a little too late.
Subscribe to:
Posts (Atom)